And in 2.0, we get spectacle that is satisfying.
It is the grand canvas in which this director mounts his oft-told stories that makes us look forward to his films. We are forced to wait for the mandatory flashback involving Pakshirajan (Akshay Kumar), the ornithologist who is the old man who we saw at the start of the film - but when it does come, it doesn't make the impact it should.īut, by now, plot is not what we go to Shankar's films for these days. For most part of the first half, we're just running through the motions, searching for mystery in the supernatural occurences that we see. And when a giant bird, made up of mobile phones, starts attacking the city, the scientist is forced to bring back Chitti, the now dismantled robot. Soon, mobile phones start flying off the shelves and out of everyone's hands, and Vasigaran is called in to investigate this mysterious occurrence. And then, in comes Dr Vasigaran (Rajinikanth), a scientist, along with his assistant Nila (Amy Jackson), a humanoid robot. The film begins with an old man committing suicide from atop a mobile phone tower.
The film revolves around the familiar theme of a wronged individual taking revenge on the people who ruined his life - and Shankar gives us a film that has a blend of sci-fi, horror and a whole lot of special effects. 2.0 Movie Review: Like the title suggests, Shankar's latest venture is quite literally the 2.0 version of his earlier film Robot.
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